
At the Microphone
An episode opening needs a promise, not a long introduction
Open a spoken-word episode with a concrete question, a reason to listen and a short route into the first useful part.
Small preparations that make a voice recording easier to hear, assess and work with.

Open a spoken-word episode with a concrete question, a reason to listen and a short route into the first useful part.

Use a short room survey and a repeatable microphone test to find avoidable noise before recording a spoken-word programme.

Before a long voice session, record a short sample and listen back. It can reveal the wrong input, room noise or an overloaded level while there is still time to adjust.