On the Timeline
Keep a False Start When It Carries Meaning, Not Just Because It Happened
A speaker begins an answer, stops, and starts differently. Removing the first attempt can make the sentence smoother, but sometimes the change of direction…
Sound, carefully considered
Inside the sound room
Ready to Share
An Episode Credit Should Tell People What Work Someone Actually Did
“Thanks to everyone involved” is warm, but it leaves the work behind an audio programme difficult to trace. Specific credits help listeners understand who…
At the Microphone
Introduce a Read-Aloud Quote So Listeners Know When Your Voice Changes Role
In an audio essay, the same voice may narrate, paraphrase and read somebody else’s words. A listener cannot see quotation marks, so the script needs to make…
At the Microphone
Script Directions Should Be Easy to See and Hard to Read Aloud by Accident
A presenter reaches a bracketed note and reads “pause for guest” into the recording. The problem may be the script’s visual organisation rather than the…
On the Timeline
Zooming the Audio Timeline Changes the View, Not the Duration
A sentence suddenly stretches across the editing window after you zoom in. It has not become slower: the screen is showing a shorter span of time in greater…
On the Timeline
A Clipping Marker Tells You Where to Investigate, Not What to Repair Automatically
An audio editor can mark possible clipping, but the marker still needs interpretation. It is a prompt to inspect a passage, not a complete diagnosis of…
On the Timeline
Changing Pitch Without Changing Duration Is Its Own Audio Operation
A higher-sounding recording does not always have to become shorter. Some audio tools treat pitch and duration separately, so it helps to identify which…
Ready to Share
An Audacity Project and an Exported Audio File Serve Different Recipients
Sending a finished interview to a listener is a different task from sending the editable session to another producer. The file you save needs to match what…