On the Timeline
Mute and Solo Change What You Hear While Editing
Use mute and solo to inspect a multitrack edit, then restore the intended listening state before judging or exporting the complete programme.
Sound, carefully considered
On the Timeline
Organise recordings, notice useful moments and make editing decisions easier to revisit.
On the Timeline
A Noise Gate Cannot Know Which Quiet Sound You Wanted to Keep
Understand a noise gate as a level-based process, and check soft words and phrase endings before assuming quieter gaps mean a better recording.
On the Timeline
A Fade Changes the Level Over Time; It Does Not Remove the Whole Clip
A fade adjusts how audio enters or leaves; a trim changes the clip boundary. Listen around the edit so a gradual ending does not swallow the final word.
On the Timeline
A Stereo File Can Contain the Same Voice on Both Sides
Two channels do not automatically create a wider recording. Inspect a voice file’s channel layout and listen to each side before deciding how it should be delivered.
On the Timeline
When an Interview Answer Begins with “That,” Keep Its Reference
Before removing an interview question, check the words that depend on it. A shorter audio edit should still make clear what the speaker is answering.
On the Timeline
Keep an Edit Decision Separate from a Personal Reaction
Write editing notes that identify a location, explain the listening problem, and state the proposed change without confusing taste with a confirmed error.
On the Timeline
Give an Audio Revision a Name That Explains the Decision
Keep audio revisions understandable with short version names and a decision note that explains what changed and which file needs review.
On the Timeline
A Bigger Waveform Does Not Automatically Mean Better Audio
Use a waveform to locate events in a recording while checking scale, zoom and playback before drawing conclusions about loudness or quality.